Posts about Exploding_TV

Where the TV fight goes

My first bit of advice to pissed-off Cablevision customers in New York — who’ve just lost WABC right before the Oscars — I do recommend that you switch to Verizon Fios. You won’t get it in time. It’s not perfect. But for me, it has been a helluva lot better than Cablevision: more channels, better service, better broadband, good phone service, impressive installation. Switch. It will feel good. It will feel just. I spent years sparring with Cablevision to get what I paid for and I’m glad to be rid of them.

This doesn’t mean I side with ABC in this fight. They — like Fox before them — are trying to get us to pay for free TV channels. This was a point I wanted to make at last week’s FCC workshop on the future of media: It’s no longer true that broadcast channels are free. Fewer than 13% of Americans get broadcast channels over the air; the rest of us have to pay for cable or satellite to get access and now these channels — which got our spectrum for free — are trying to charge us yet more.

Who’s fighting for us? Not the FCC.

But I think that as these fees are fought over and granted to broadcast channels and passed on to viewers — adding up to a likely $72 for New York’s half-a-dozen commercial channels — then I still think that there will be a consumer revolt and the FCC will have the cause it seems to have wanted to require a la carte pricing for cable.

Then both broadcasters and cable operators and their parent companies will get their just desserts. I will not pay for 90 percent of the channels I am forced to pay for now. That will reduce revenue to cable. It will mean that many channels will no longer be subsidized. It will kill marginal channels.

And that will open the door for internet programming. More and more TVs will be directly connected to the internet. Program creators will be able to break free of the control of cable MSOs. We’ll be watching more programming on our mobile devices and pads and computers. Fragmentation? You ain’t seen nothin’ yet.

I would invest in low-cost production of, say, home and food programs that can reach sufficient critical mass online. I’d invest in niche programming — see: TWiT et al — that can reach a very low level of critical mass and sell highly targeted advertising. I would not invest in cable companies or big, old TV companies. They’re just trying to milk the cash cow before she keels over.

Surrendering advertising … killing bundling

Two things strike me about News Corp.’s battle to get cable fees:

(1) Again and again lately, the company is surrendering the advertising battle. In newspapers, it is saying that advertising won’t support its high costs and so it will sacrifice traffic and advertising the hopes of building build pay walls. In MySpace, the company handed over its advertising fate to Google and then couldn’t produce. Now in TV — which is where Murdoch fils says the future of the company lies — they’re trying to eke fees from cable operators.

(Under must-carry rules, a station can demand premium placement — which would benefit audience and advertising — or can demand a fee, but the cable company can decline to pay and carry the station. That’s the stand-off occurring now.)

(2) News Corp. may succeed at getting fees from cable operators, but I predict that will raise prices for consumers as more and more fees are passed along; consumers will be further enraged that they have to spend money for bundles of channels they don’t want or watch; and that will give regulators the cause they need to demand a la carte pricing — which will end up hurting and likely killing second- and third-tier cable channels subsidized by bundles and wil hurt cable operators as they end up charging less.

Add to this the paper-tiger nature of News Corp. threat to take Fox stations off cable. Oh, no, they taunt on crawls across the screen, you won’t get American Idol. Except we will, online, on Hulu, co-owned by News Corp. For News Corp. knows that the value of its own stations as ad vehicles is diminishing as the value of internet distribution rises. And so then this story comes full circle as News Corp. will likely threaten to charge consumers on Hulu — again, a capitulation in the advertising model.

What we’re seeing is the disaggregation of another media form. We don’t buy albums; we buy singles. We don’t buy newspapers or magazines; we aggregate, curate, and link to the best stories we like, bypassing editors’ packaging. We don’t go to bookstores to get the books the system decides to put on the shelves; we buy what we want from Amazon. We listen to radio less and listen to our own playlists more (a trend that will only accelerate as we listen to new forms of radio on our phones). Now we will end up picking and choosing TV channels and even shows, diminishing the power network and station programmers’ and cable MSO’s hold over us.

At the highest level, what we’re seeing is the death of the mass audience — and the value of distribution — and the advertising model that supported it.

I don’t think advertising is dead. I think it’s dying for mass companies with high cost structures. Advertising will shrink, as Bob Garfield argues in the Chaos Scenario, and it will migrate to new media and new forms. News Corp. knows that; every media company finally does.

So I think we’re seeing News Corp. milk the dying cash cow. Newspapers aren’t going to grow and will shrivel and sometimes die. The value of local stations is only going to shrink. (MySpace was a mistake.) So News Corp. is begging for cash wherever it can get it — from readers online or viewers on cable (via cable companies’ billing) — no matter that there’s no strategy there.

Howard Stern 3.0: The future of entertainment

We just got a glimpse of Howard Stern’s next life, I think. I was running errands today listening to a repeat of the show from this week when I heard Stern talk with a caller about what he could do on the internet. Thanks to my handy Sirius Satellite radio, I was able to – Tivo-like – back and up repeat what he’d just said and I wrote it down:

Tomorrow I could go on the internet and start my own channel with my own subscribers. You’d be able to click and watch us on TV, watch us in the studio live, streaming. You’d be able to listen to us streaming. You’d be able to get us on your iPhone. You’d be able to do everything right at the click of the internet. I wouldn’t even need to work for a company. I’d be my own company… So true it’s ridiculous.

Sounds like more than idle admiration of technology to me. Stern has a year left on his contract on satellite. He’s so valuable to Sirius, they surely will make him an offer it would be hard to refuse. But I suspect that much of his last reported $500 million contract came in stock and that stock is now worth $0.59 (I know all too well, because I own some), so continuing with satellite would still be a gamble. Besides, he has plenty of money and no divorce settlement to pay off (or so it would certainly appear). This week, he was lambasting Rush Limbaugh for ripping off his listeners selling them T-shirt; in response to a question from Gary Dell’Abate, Stern said even an extra $1 million wasn’t worth that. Could he be rationalizing a cut in pay?

On the internet, Stern would get the complete freedom he has long lusted after. He would share his revenue and value with no one but his staff. Now that we can listen to radio over the internet – on our internet-enabled phones – we can listen to him anywhere (is this why he has refused to allow Sirius to put him on the iPhone? I’m still unhappy about that). He would have direct relationships with his fans. He could charge them (and, yes, I would pay for it; he’s why I subscribe to satellite now … see, I am not a pay bigot). He could sell advertising in new ways. Fans could get him anywhere, anytime. If he’s smart – and he is – he could open up enough tidbits to go viral, letting his audience market him for free.

I wrote about Stern as a pioneer in my book. He rethought radio networks and built his own. He brought satellite radio to critical mass. But satellite radio was always a transitional technology, waiting for ubiquitous connectivity that would enable on-demand programming anywhere. (I tried to warn Sirius’ president, Mel Karmazin, here.) Now our phones can give us radio and soon Stern will be ready for them; they will make him portable.

There’s a larger trend at work here: Entertainers (radio, music, comedy, books, columnists, even filmmakers) will have direct relationships with their audiences. Like Stern, they won’t have to work for companies or go through them for distribution. That’s already happening, of course, on the web for creation, distribution, and monetization. That idea is even extending to funding. Look at Kickstarter – a Spot.US for creativity – where your most loyal fans who most want you to make something can fund or invest in it, maybe for nothing more than the privilege of helping you (this is the Wikipedia ethic). It returns to the age of patronage, only now the kings don’t fund the artists, the public does and less money is wasted on middlemen.

Maybe this is all wishful thinking. I’ve been dreading Stern’s retirement (but I think so is he). So I’m hoping that he makes the leap to the next generation and that others will follow his example. Am I reading too much into his conjecture about the internet? If I am, I’ll bet Karmazin is, too.

: Tim Windsor adds in the comments: “Sounds like Howard needs to make a pilgrimage to Leo Laporte’s TWiT Cottage to see how this can be done professionally for surprisingly little money.”

Right. Leo shows it all: how to do live video with chat and also distribute across many platforms.

A newspaper’s life-and-death struggle, played out in a new medium

At the Star-Ledger’s new LedgerLive daily news show from the newsroom (unofficial motto: It’s not TV, damnit), we are watching a big, old paper fight for its survival as it announced buyouts and a possible sale. And the grand irony is that we’re watching this even as the paper reinvents itself in a new medium: online video. The new show and the momentous news about the newspaper came in the same week.

I was in the newsroom on Friday to watch LedgerLive being broadcast and I heard the staff talking about the paper’s and their future, of course. Some of these folks are going to be, well, independent in the fall if they elect to take the buyout and it comes off as announced.

But what struck me listening to them is that they are not prepared for that independent life. I was looking at this from the perspective of being both a former newspaperman who did find a new life in the academe and elsewhere and from the perspective of now being a journalism educator. It is vital that we prepare journalists for this new and independent life or we will lose their journalism. Preparation, to me, means both training – it’s a great thing that Ledger print people are making video in the Rosenblum Method – and setting up an infrastructure to help them create sustainable journalistic enterprises if at all possible. The first factor is why I’m trying to establish a continuing education program for professionals at CUNY. The second is why I’m holding a summit for new business models for news there. That’s my perspective.

I thought the journalists there would benefit from hearing from someone who found life after print and so I suggested to the Ledger’s digiczar, John Hassell, that they get hyperlocal postergirl Debbie Galant to make a video for an upcoming episode of LedgerLive. It didn’t turn out exactly as I’d predicted but it did turn out the start of an entertaining discussion that captures the life-and-death questions journalists across the country are facing now.

Debbie’s message aired on Tuesday from her (very nice) garden in metaphorical PJs:

Baristanet weighs in on The Star-Ledger

On today‘s LedgerLive, reporter Carol Ann Campbell responded in her PJs:

A clip from Ledger Live 08-06-08

Unfortunately, this reprises an us-v-them, pro-v-am rivalry. Fine. Let’s get that out of our system.

And then I’ll challenge Deb to come back and now share her secrets with her still-ink-stained peers: How do you find life after print, Deb? What would you advise a print journalist in the post-print era to do? And I’ll challenge Carol to imagine a new world where she might operate independently. It’s hard but it may be very necessary.

Uh, is that camera on?

I hope I’m not the last to discover this: Harry Shearer complies great off-air moments of Laura Ingraham being a complete itch. If you’re a Howard Stern fan and you like those moments from Orson Welles ,William Shattner, and Jessica Savitch having snit fits, then you’ll love this.