Here’s another chapter from Geeks Bearing Gifts, this one about a topic I’ve discussed here: reinventing TV news. Read the whole thing on Medium. A snippet:
I know people who are innovating with the form online and who object to calling what they do “television” because they don’t want the word’s baggage. But I say they should co-opt the word, revolutionizing the concept of television instead of letting it languish in its past. It’s true that there’ll soon be no way to distinguish among media. What used to be a text article in a print publication now, online, has video and audio; what used to be a TV story can now carry text and photos online; both can include interactivity and discussion and more. Still, I see value in commandeering the word television because I want innovators to take over the medium itself, pressuring its legacy owners to cast off their orthodoxies and idiocies. Those not-so-old broadcast companies, though weakened by the ceaseless growth of new competitors, still have good businesses and still attract the largest news audiences. They have had little motivation to change. Even newspapers and magazines, finally able to make video, have made the mistake of trying to ape broadcast TV. Change will have to come from outside media.
If you can’t wait for the rest of the book, then you can buy it here.
UPDATE: Registration is now open here. Our keynoter is VICE News Editor-in-Chief Jason Mojica and we’ll hear new ideas for TV News from Twitter’s Fred Graver, NowThisNews’s Sean Mills, and Occupy Wall Street chronicler Tim Pool.
We’re going to reinvent TV news at CUNY on Sept. 19. Or rather, you will.
Do you have a wild vision for what TV news could or should be? Send it our way and you would win $1,000 and present your idea to an audience of TV people and TV disruptors at CUNY’s Graduate School of Journalism on Sept. 19.
You’ll be joining some innovators we know and have invited to the event to present their visions for TV’s possibilities: The conditions for everyone: You can’t present anything you’ve already done. You have to show something you (or your organizations) haven’t had the guts to do.
Your presentation could be how to summarize the news in 3 minutes better than TV does now in 22. It could be rethinking those never-ending weather reports with the brevity and informative value of Forecast.io. It could be making assets of value like backgrounders and explainers instead of just filling time. It could be rethinking the talk show to make it productive. It could be rethinking the sports report or the predictable sports interview. The presentation could be a few minutes of video or a storyboard or a sketch on a whiteboard; it’s the vision we care about — not the production value. The audience will be TV people — whose minds should be blown — and innovators — who should be inspired with new ideas, new possibilities.
Among those we’ve invited who are scheduled to come: Tim Pool of Vice; Fred Graver, creator of Best Week Ever on VH1, now handling TV matters at Twitter; Merope Mills, the new head of video at the Guardian; the folks at Fusion; Tom Keene at Bloomberg; Robert King, head of news at ESPN, and more.
The day won’t be about bashing TV news. I’ve already done that. No, this is about possibilities. We will concentrate on what TV can do well and about innovation. We will also explore the business of TV news and the reasons why this medium is ready to follow newspapers and magazines into the giant maw of disruption. Finally, it’s time to challenge the orthodoxies of TV news and rethink the form.
So if you have an idea for a way to reinvent TV news — a new method, a new segment, a new show, a new site or service — summarize it here. You could win $1,000 and and the chance to show it to people who might help make it happen.
If you’re interested in coming to the event, sign up here for updates and we’ll let you know when invitations open up. Also sign up there to get a reminder so you can watch the event on a live stream or afterwards on video.
This is the beginning of a crusade at the Tow-Knight Center and CUNY, where we are also starting a course this fall in reinventing TV news. Expect to hear much more on the topic from us.
I was about to launch into writing a post about the most irritating habits of local TV news — starting with the most objectionable: the stand-up — when I got a surprising email from a producer at Fox Channel 5 News in New York: “We are working on a story about the most annoying things about local news,” he wrote. “Yes, we are really doing this. And it is for tonight.” I got a similar call from another network; more on that in a minute. So I spoke to the Channel 5 reporter for 10 minutes over Skype and they used one soundbite (which is another annoying thing TV news does, but I’m not complaining):
Points to Fox’ Joel Waldman for doing a stand-up ridiculing stand-ups.
Here’s why I hate the convention: The stand-up has zero journalistic value. It wastes time. It wastes precious reportorial resource. It turns the world into a mere backdrop for entertainment. It’s a fake. Take, for example, all the stand-ups we see these days at the George Washington Bridge because of the Christie scandal. Local TV news does it:
National TV news does it:
There is *no* reporting to be done at the bridge. None. There are no officials there. There are no sources to be found. The victims are long gone. So TV news wastes a reporter’s time and a crew’s time and the use of expensive equipment going to the bridge, standing there for an hour or more, where there is *nothing* happening, *nothing* to report. Why? Because TV thinks it must have video, style over substance, image über alles.
Think of how TV news covers, say, the ongoing deliberations of a jury in a trial. The anchor tells us what they’ve told us and what they’re going to tell us. The anchor throws to a reporter doing a stand-up in front of a courthouse where, of course, the jury is sequestered and there is nothing to learn and thus nothing to say. The reporter gives us a bit more background and tells us the jury is still out. The reporter throws back to the anchor. The anchor says they’ll be sure to tell us when something happens. All that hoo-ha could be replaced with the anchor reading one sentence: “The so-and-so jury is still out.” Bonus points if the anchor adds: “For background, see our web site.”
And on the web site, the TV station could have a standing piece explaining the background on the trial for anyone who has missed it. They’d waste less of their airtime and be able to give us, the audience, the public, more stories and/or more substance — wasting less of our time. More importantly, they’d free up the reporter to, well, *report* something rather than just regurgitating what we already know and nothing new: journalistic dry heaves.
I have taken to shouting at my TV when I see stand-ups in front of crime scenes where nothing has happened in at least 12 hours. Or when I hear anchors, particularly on network news, wasting precious seconds with empty transitions after reports: “Still much to learn” (no shit). Or when I see faked b-roll of someone walking down a hall or typing or talking on a phone to create images and easier edits — except this isn’t reality, it is staged, faked for us (how journalistic is that?). Or when I see team coverage of weather sticking rulers in snow or breaking eggs to fry (or now freeze) or demonstrating that ice is slick or that wind blows. Or when I see someone being interviewed and looking off-camera when they really should be talking to us (Hello? We’re over here!). And that is just a list of the silly orthodoxies of presentation on TV news, to say nothing of the quality, depth, originality, utility, wisdom, and incisiveness of the content itself.
I shouted at my TV and it didn’t listen … until now. Not only did I get that email from Fox 5 New York, but when I was in Davos, I spoke to a crew from Fusion, the new partnership of Univison and ABC, and couldn’t resist poking fun at the form, turning from the producer asking questions off-camera and staring instead directly into the camera to beg them to give up this silly, stilted convention. They didn’t air it. [CORRECTION: Turns out, they did air it, starting at :35.] Instead, they called me into the studio for a conversation with anchor Jorge Ramos.
We talked about the conventions of TV news:
And then Ramos asked me for my advice to Fusion:
I said in my first post on reinventing TV news that I wouldn’t dwell on the negative — preferring in a second post to concentrate on new opportunities — yet here I have focused on the bad, the silly, the wasteful. For we do need to get rid of the idea that real television news, professional television news must have stand-ups and establishing shots and staged b-roll and frothy transitions. We need to clean away that ancient filigree to free up resources and time to make TV news better, because it can be.
* * *
Here is the complete, 11-minute Fusion conversation:
Most TV news sucks. But I don’t want to dwell on that.
I’d like to see TV news be reinvented, yet I’m astounded so little innovation is occurring in the medium. That could be because TV news is in better financial shape than print (for now). It could be because in a highly competitive market, no one wants to leave the pack and risk failure trying something new. Still, network TV’s audience is lurching toward the grave; cable news is struggling; and Pew says that for the once-indomitable local TV news, “future demographics do not bode well.” Like newspapers and magazines before them, broadcasters need to change, to take advantage of opportunities to work in new ways, to fend off the digital competitors who are sure to grasp the chance to disrupt, and simply to improve.
TV news is stuck holding onto its orthodoxy of inanity. It wastes resources trying to fool us with stand-ups at sites where news occurred 12 hours before and where there is nothing left to witness or report. It repeats much, saying little. It adores fires that affect few. It goes overboard on weather. It gives us BREAKING NEWS that isn’t breaking at all but is long over, predictable, obvious, or trivial. It gullibly and dutifully flacks for PR events created just for TV. It presents complex issues with false and simplistic balance. It speaks in the voice of plastic people. It stages reality (no that guy in the b-roll isn’t really typing on his laptop). It has little sense of the utility of what it presents. And did I mention its pyromania?
But I don’t want to dwell on that.
I want to dwell on what TV could do well, on its strengths and opportunities. TV can summarize, sometimes too well perhaps, but delivering a quick overview of what’s happening is a useful function of news. It can curate, bringing together divergent reports and viewpoints. It can explain a complex topic and doesn’t have to dumb it down. It can demonstrate. It can convene the public to action. It can collaborate, having witnesses share what they are seeing and what they know. It can discuss and doesn’t have to shout. It can give voice to countless new perspectives now that everyone has a camera on laptop or phone. It can humanize without cynically patronizing or manufacturing a personality.
There are sprouts of innovation in television (folks I know working in video online object to it being called television but I say they should co-opt the word, the medium, and the form). That innovation is generally not coming from other media companies, for newspapers and magazines have made the mistake of aping broadcast TV when they should exploring new directions. And the innovation that is occurring doesn’t take the form of incremental adjustment to the familiar form of TV news. Instead, true innovation is unrecognizable as television. On one end of the spectrum, there’s the six-second self-parody of viral video shallowness that is Vine as news. On the other, there’s the TWiT Network (of which I am a part), where we geeks can yammer on about single topics — Google, security, Android — for devoted if small audiences for two hours.
When Katie Couric announced that she’d be moving to Yahoo and NPR’s Weekend Edition asked me to yammer about it, I took the opportunity to push my own agenda and wish that Couric and Marissa Mayer would reinvent TV news because they’re both smart; Couric knows the form so well she knows what to break; Mayer is a disruptive innovator; and Yahoo needs to be something *new* not merely something changed.
And so then I started asking some folks what they’d suggest. I asked TWiT’s founder, Leo Laporte, and after more than 10 minutes’ discussion on two shows — hey, we have all the time in the world — he said that instead of giving us the news — we already get that — he’d want to see Couric give us rich interviews with newsmakers. I like that. When Katie was on Howard Stern’s show weeks ago, I called in to ask about him having a pure interview show on TV, since he has had a remarkable run of amazing interviews lately. Besides Charlie Rose, who really does that on TV?
I asked Michael Rosenblum about reinventing TV news. He has reinvented his share of newsrooms, converting the old three-person crews to so-called one-man bands, teaching people how to tell stories with video and without the silly conventions of stand-ups, establishing shots, b-roll, and cotton-candy scripts. He told me about returning from the UK, where he taught a few dozen journalists at the Independent and Evening Standard how to gather video news with their iPhones. If they can do it, anybody can.
I asked Shane Smith, founder of Vice, which just announced the start of a new news channel in 2014 (below), and he talked about the net’s ability to bring many new voices into the news.
Vice was smart enough to hire Tim Pool the guy who broadcast Occupy Wall Street live for 21 hours straight. Pool’s not sure what to call himself — a mobile journalist, a social journalist. Take a look at how he covered protests in Turkey, where he was the first journalist so far as he knows to broadcast live using Google Glass — the true eyewitness.
A few weeks ago, Pool came to my class and then sat in my office and so I asked him about the future of TV news. Speculating together — having nothing to do with Vice’s future plans — he didn’t start talking about video. He started talking about people — witnesses and commentators and how to find the best of them and connect them — and about technology and about user interfaces. There I started to hear the beginnings of a new vision for TV and news in which video is just one tool to use.
So how would you reinvent TV news? What advice would you give Katie Couric? What advice would you give the next Tim Pool? At CUNY’s Tow-Knight Center, I’d like to embark on projects to rethink the form of TV news, its relationship with the public, and its business models. What would you like to see us do? Try not to dwell on mocking the form and its weaknesses — Ron Burgundy has done enough of that for a lifetime (plus a sequel). Try instead to imagine you are a young (reincarnated) William Paley with all these tools and all these possibilities at hand. What do you invent? In Part II, I’ll add my own wishes and speculation.
Google just demoted your television set into a second screen, a slave to your phone or tablet or laptop. With the $35 Chromecast you can with one click move anything you find on your internet-connected device — YouTube video, Netflix, a web page as well as music and pictures and soon, I’d imagine, games — onto your big TV screen, bypassing your cable box and all its ridiculous and expensive limitations.
Unlike Apple TV and Airplay, this does not stream from your laptop to the TV; this streams directly to your TV — it’s plugged into an HDMI port — over wi-fi via the cloud … er, via Google, that is. Oh, and it works with Apple iOS devices, too.
I’m just beginning to get a grasp on all the implications. Here are some I see.
* Simply put, I’ll end up watching more internet content because it’s so easy now. According to today’s demonstration, as soon as I tell Chrome to move something to my TV, the Chromecast device will sense the command and take over the TV. Nevermind smart TVs and cable boxes; the net is now in charge. There’s no more awkward searching using the world’s slowest typing via my cable box or a web-connected TV. There’s no more switching manually from one box to another. If it’s as advertised, I’ll just click on my browser and up it comes on my TV. Voila.
* Because Google issued an API, every company with web video — my beloved TWiT, for example — is motivated to add a Chromecast button to its content.
* Thus Google knows more about what you’re watching, which will allow it to make recommendations to you. Google becomes a more effective search engine for entertainment: TV Guide reborn at last.
* Google gets more opportunities to sell higher-priced video advertising on its content, which is will surely promote.
* Google gets more opportunities to sell you shows and movies from its Play Store, competing with both Apple and Amazon.
* YouTube gets a big boost in creating channels and building a new revenue stream: subscriptions. This is a paywall that will work simply because entertainment is a unique product, unlike news, which is — sorry to break the news to you — a commodity. I also wonder whether Google is getting a reward for all the Netflix subscriptions it will sell.
* TV is no longer device-dependant but viewer-dependant. I can start watching a show in one room then watch it another and then take it with me and watch on my tablet from where I left off.
* I can throw out the device with the worst user interface on earth: the cable remote. Now I can control video via my phone and probably do much more with it (again, I’m imagining new game interfaces).
* I can take a Chromecast with me on the road and use it in hotel rooms or in conference rooms to give presentations.
Those are implications for me as a user or viewer or whatever the hell I am now. That’s why I quickly bought three Chromecasts: one for the family room, one for my office, one for the briefcase and the road. What the hell, they’re cheap.
Harder to fully catalog are the implications for the industry — make that industries — affected. Too often, TV and the oligopolies that control it have been declared dead yet they keep going. One of these days, one of the bullets shot at them will hit the heart. Is this it?
* Cable is hearing a loud, growing snipping sound on the horizon. This makes it yet easier for us all to cut the cord. This unravels their bundling of channels. I’ll never count these sharks out. But it looks like it could be Sharknado for them. I also anticipate them trying to screw up our internet bandwidth every way they can: limiting speeds and downloading or charging us through the nose for decent service if we use Chromecast — from their greedy perspective — “too much.”
* Networks should also start feeling sweaty, for there is even less need for their bundling when we can find the shows and stars we want without them. The broadcast networks will descend even deeper into the slough of crappy reality TV. Cable networks will find their subsidies via cable operators’ bundles threatened. TV — like music and news — may finally come unbundled. But then again, TV networks are the first to run for the lifeboats and steal the oars. I remember well the day when ABC decided to stream Desperate Housewives on the net the morning after it aired on broadcast, screwing its broadcast affiliates. They’d love to do the same to cable MSOs. Will this give them their excuse?
* Content creators have yet another huge opportunity to cut out two layers of middlemen and have direct relationships with fans, selling them their content or serving them more targeted and valuable ads. Creators can be discovered directly. But we know how difficult it is to be discovered. Who can help? Oh, yeah, Google.
Yes, Apple could throw out its Apple TV and shift to this model. But it’s disadvantaged against Google because it doesn’t offer the same gateway to the entire wonderful world of web video; it offers things it makes deals for, things it wants to sell us.
* Amazon? Hmmm. On the one hand, if I can more easily shift things I buy at Amazon onto my TV screen — just as I read Kindle books on my Google Nexus 7 table, not on an Amazon Kindle. But Amazon is as much a control freak as Apple and I can’t imagine Jeff Bezos is laughing that laugh of his right now.
* Advertisers will see the opportunity to directly subsidize content and learn more about consumers through direct relationships, no longer mediated by both channels and cable companies. (That presumes that advertisers and their agencies are smart enough to build audiences rather than just buying mass; so far, too many of them haven’t been.) Though there will be more entertainment behind pay walls, I think, there’ll still be plenty of free entertainment to piggyback on.
* Kids in garages with cameras will find path to the big screen is now direct if anybody wants to watch their stuff.