BuzzMachine

Rachel Sklar, videogenic editor of HuffingtonPost’s Eat the Press, starts a vlog, complete with oiled massages. A star is born.

I’m not one to run guest posts at Buzzmachine. I have an overdose of blather all by myself. But when I can get someone who wrote for two of my all-time favorite shows, Letterman and Cheers, to write for me, well, I couldn’t pass that up.

Last night, I got email from Fred Graver, executive producer of VH1’s Best Week Ever, who has become a glancing friend thanks to blogs; he and I last saw each other when I introduced him to Amanda Congdon and Andrew Baron of Rocketboom in a fun lunch. Fred was emailing about a few things — mainly how a certain site that shall go nameless screwed them when it stole their very cool Apple commercial parodies, and how he was planning to blog himself, at long friggin’ last. Fred and I also chatted about the doings at Rocketboom and I could tell he had interesting things to say. And so, because he’s still blogless, I asked Fred whether he wanted to write a post here. Fred is a pro: Emmy winner, web pioneer at disney and MTV, and now producer of Best Week Ever on TV and on the web. Here’s his veteran’s take on Rocketboom:

My god… I know that the web is supposed to rewrite all the rules of media. But who among us believed for a second that it would rewrite the rules of human nature? Obviously, Amanda and Andrew did.

I can’t for the life of me figure out all of the details of what actually happened — for two people who make their careers opining on the web, neither Amanda or Andrew have done a very good job of being “transparent” about the goings on at Rocketboom.

Here’s what I do know — based on a lovely lunch that Amanda, Andrew, Jeff and I shared last December: Andrew had the idea for Rocketboom. He placed an ad on Craig’s List for an actress. Amanda (among others) answered. He hired Amanda.

Note to Andrew: have you ever DATED an actress? My god… at any point, did you ever think that you were going to get someone who wasn’t totally self-absorbed? That’s what they DO! That’s why we pay them the big money!!! But we don’t tell them they have some control over our business!

Over lunch, Amanda asked me about agents… and rightly so. Let’s face it — she comes across as interesting, engaged, fun to watch. And the agents — CAA and William Morris, particularly, were interested. Amanda was intrigued that Trent (Pink is the New Blog) had an agent and had recently made a deal for a tv show in development… she was anxious to see what she could do.

Given that Andrew was sitting to her left, she was very respectful about linking her star to Rocketboom. Andrew, in turn, was also respectful of everything Amanda had brought to his endeavor. In retrospect, I’m not surprised that the issue both of them site, ad nauseum, is “moving to L.A.” Show business was the “weasel under the table” (as Harold Pinter would put it) in their relationship.

And at this point, I freeze the image on the screen and ask you all… how is this different from anything we’ve seen in the past 300 years of show business? If you’re having ANY trouble understanding what’s going on here, read Trav S. D.’s brilliant history of vaudeville, “No Applause, Just Throw Money.” The phrase “Hit the bricks, kid, I got a million of you” was born at the same tame as the phrase “Ladies and Gentlemen, on with the show.”

Producers (myself included) make our living off of building a stage. We build it out of a concept, script, cameras, props, and actors… and hope and pray for an audience. At the very end of the equation (for most of us) there is money. (And rarely at the beginning… which is why Amanda and Andrew both get huge grace points in this story. It’s clear that two people who were overjoyed at splitting a forty thousand dollar check after months of work weren’t in it for the money.)

The problem with the internet -and a thorny problem it is – is that the phrase “I got a million of you” can be uttered by everyone in the equation – actor, writer, producer. There’s a million stages now, a million actors, a million writers. EVERY ONE of them can command an audience. Every one of them can start a show.

God love it.

But there’s going to be a tiny bit of hell to pay before we sort out the equation of who runs what. And Andrew and Amanda are paying the first dues for all of us. What follows is a little bit of advice for both of them that hopefully will make the next few weeks or months easier.

Andrew – you are the producer, the entrepeneur. You put up the idea, you put up the energy, you put that ad up on Craig’s list. You were / are amazingly generous in calling Amanda your partner. (I suspect you feel a little bit like your proposed marriage on your first date.) Screw the apologies. You own Rocketboom. Take a lesson from Dick Wolfe – the franchise (in his case, Law and Order) lives. The actors come and go. Put another fucking show on the web and move on. (To continue the bad marriage metaphor… what the hell were you thinking, bringing in mediators!??!?) Move ON! On the other hand… it’s been a year or so… what else are you going to do with this brilliant idea? Boom some more things, it’s about time.

Amanda – I’ve got two words for you: Martha Quinn. You’ve got a tough road ahead of you. You’re going to have to create a franchise for yourself. Get to work – the clock is ticking and 90 days from now, it’s going to be “what the fuck happened to Amanda Congdon?” (OH… and 90 days is about the time it takes for amandacongdon.com to load… might want to look into that.) I think you’re wonderful on camera, and would LOVE to do something with you at MTV Networks. But the poor little girl act (“I’m at my parents house in Connecticut?” … poor choice of state, my friend) is going to wear thin really fast.

Finally… a word or two from a VERY old warhorse… None of us are so good at this as to warrant this kind of public display of bullshit. What I’m obsessed with right now is feeling that two kids in a dorm somewhere in San Diego are going to release something on YouTube that’s going to blow us ALL away… Amanda, Andrew, myself, Jeff… we all have to be ready for the next generation of web media — something that’ll be as powerful as “Real World” was to MTV: the thing that made Martha Quinn look like… well, Martha Quinn.

Thank you, Fred.

Now my advice: I am rooting for both Amanda and Andrew. I like and respect them both and I am confident that they will go on to create more amazing things, given the boost of the last amazing thing they created. Valleywag sent out a survey asking who was at fault in this thing. I say that the Blogosphere — and Hollywood — are both no-fault states. Doesn’t matter. That’s show biz.

I spoke with Andrew this morning as he scurries to get a new Rocketboom up. I emailed Amanda with Fred’s post and said I know she’ll do well. I’ll offer them both my help. And they get my advice whether they want it or not:

The web and Rocketboom gave you both not just fame but also a platform to create, neither of which would have been at all possible only five years ago. You showed other people that they, too, can create amazing things. So go on and make the next thing. It may not be amazing at first, but I’ll bet it will be.

: LATER: One reaction to Fred’s post in comments and emails that Amanda proved to be more than just another pretty actress. Yes, I’d say so.

: The new Rocketboom with Joanne Colan is up and I think it’s good. The opener has her ducking a barrage of tomatoes, successfully. And I am a sucker for a British accent.

I have no idea what’s happening behind the map at Rocketboom with Amanda Congdon gone and Rocketboom grounded. I’ve known Amanda and Andrew Baron since the early days and like and respect them both. I also saw some creative tension there but I think that’s part of what made Rocketboom good. I hope that they manage to get back together or that they each go on to create great new things. The one thing I hope doesn’t come of this is dead air.

: Here’s the Washington Post’s report. Yes, vlogging is big news.

: LATER: Here’s Heather Green’s reporting in Business Week. She gets to Baron with more. I disagree with one thing Heather and other reporters who’ve emailed me have said. Heather:

And it’s bound to raise questions about the viability of video blogging as a sustainable business.

Plenty of blogs, newspapers, magazines, shows, networks, you name it, have changed or folded and it doesn’t say anything about the entire medium.