UPDATE: Registration is now open here. Our keynoter is VICE News Editor-in-Chief Jason Mojica and we’ll hear new ideas for TV News from Twitter’s Fred Graver, NowThisNews’s Sean Mills, and Occupy Wall Street chronicler Tim Pool.
We’re going to reinvent TV news at CUNY on Sept. 19. Or rather, you will.
Do you have a wild vision for what TV news could or should be? Send it our way and you would win $1,000 and present your idea to an audience of TV people and TV disruptors at CUNY’s Graduate School of Journalism on Sept. 19.
You’ll be joining some innovators we know and have invited to the event to present their visions for TV’s possibilities: The conditions for everyone: You can’t present anything you’ve already done. You have to show something you (or your organizations) haven’t had the guts to do.
Your presentation could be how to summarize the news in 3 minutes better than TV does now in 22. It could be rethinking those never-ending weather reports with the brevity and informative value of Forecast.io. It could be making assets of value like backgrounders and explainers instead of just filling time. It could be rethinking the talk show to make it productive. It could be rethinking the sports report or the predictable sports interview. The presentation could be a few minutes of video or a storyboard or a sketch on a whiteboard; it’s the vision we care about — not the production value. The audience will be TV people — whose minds should be blown — and innovators — who should be inspired with new ideas, new possibilities.
Among those we’ve invited who are scheduled to come: Tim Pool of Vice; Fred Graver, creator of Best Week Ever on VH1, now handling TV matters at Twitter; Merope Mills, the new head of video at the Guardian; the folks at Fusion; Tom Keene at Bloomberg; Robert King, head of news at ESPN, and more.
The day won’t be about bashing TV news. I’ve already done that. No, this is about possibilities. We will concentrate on what TV can do well and about innovation. We will also explore the business of TV news and the reasons why this medium is ready to follow newspapers and magazines into the giant maw of disruption. Finally, it’s time to challenge the orthodoxies of TV news and rethink the form.
So if you have an idea for a way to reinvent TV news — a new method, a new segment, a new show, a new site or service — summarize it here. You could win $1,000 and and the chance to show it to people who might help make it happen.
If you’re interested in coming to the event, sign up here for updates and we’ll let you know when invitations open up. Also sign up there to get a reminder so you can watch the event on a live stream or afterwards on video.
This is the beginning of a crusade at the Tow-Knight Center and CUNY, where we are also starting a course this fall in reinventing TV news. Expect to hear much more on the topic from us.
Some big news at CUNY: We are developing a new master’s degree in social journalism. We’ve considered calling it a degree in community information and engagement. I will also argue that it is a degree in outcomes-based journalism. It is all those things. Allow me to explain.
I have been arguing for some time that journalism must shift from seeing itself primarily as a producer of content for masses to become more explicitly a service to individuals and communities. Content fills things; service accomplishes things. To provide a service with relevance and value requires knowing those you serve, and to do that requires building relationships with those people. Thus, we must learn relationship skills.
I’ve written about these ideas in the first third of a white paper on new relationships, new forms, and new business models for news that I’ve been working on for a while. (I posted that first third, on relationships, at Medium.) On a trip to California to talk with Reid Hoffman, Ev Williams, Dick Costolo, Vic Gundotra, Bradley Horowitz, and other technology leaders about the future of news, I subjected my new dean, Sarah Bartlett, to the unfinished essay so she’d be forewarned of what I’d be preaching. On the flight out, having completed everything else she had to work on and with a three-hour delay ahead and a crying baby behind, she had nothing left to do but read it. When she got off the plane, Sarah said she agreed with much of what I said. But she also asked whether we would need to find new ways to teach the new skills I’d outlined.
So she suggested a new degree to add to our core MA in journalism and entrepreneurial journalism degrees, and she sketched what it might look like. I wrote a proposal, outlining the curriculum and goals. She presented it to the faculty. My colleagues did an incredible job writing syllabi, which our curriculum committee and faculty just approved. There are more steps yet to walk in this process — seeking approval from the university and the state — before we can formally announce and recruit students. But since we are on the path, I thought it was time to put a stake in the ground and welcome a discussion regarding social journalism and what it is.
First, let me say what it is not. In a series of interesting posts, Ed Sussman has been labeling as social journalism what Forbes, Gawker, the Guardian, and others are doing in inviting contributors to write for their sites. I disagree. That idea continues to keep the focus of journalism on us, our products, our content; it’s a more open (to its credit) and less reliable (to its frequent discredit) way to feed the media beast.
No, I say that social journalism must turn the telescope around and start with the public, with the people being served. The first skill we will teach in this new program is listening to a community, hearing and discerning its needs and then thinking about how best to help it meet those needs. The answer sometimes — often — will be reporting and content. But it can also mean connecting the members of the community to each other to share information themselves. It can mean sharing data and tools rather than developing narratives. It can mean helping a community to organize itself to take action (yes, that’s community organizing). It can be education. It must be collaborative.
Social journalists will judge their success not by the old-media metrics of reach and frequency — or, translated to digital argot, of unique users and pageviews — for those measures are still about our stuff and who sees it. Though social journalism may sound like and use many of the tools of what is known as social media, I will also argue that the proper measurements of success are not likes and friends and shares and even how much time and attention we get from the public — the things we have been calling engagement — for those, too, are about engaging with us and our stuff.
Social journalists will judge their success instead by whether the public they serve and its members accomplish their goals, meet their needs, improve their lots and their communities — and whether they connect with each other to better understand each other through discussion and information. Thus I see this as the discipline of outcomes-based journalism: We take responsibility not only for making a product called news, hoping people consume it and then hoping that they and their communities are better for it. That’s all we could do before, in print and broadcast. Now, online, we have new tools and new means to hear the public, to serve the public, and to measure our impact and value. There lies the essence of social journalism.
So, yes, it’s social but it’s not just about social media. Yes, it’s about engagement but not engagement with us but instead about a community’s engagement with its own work. It’s about results, outcomes, impact.
To teach these skills, we are proposing a three-term, year-long program with:
* two journalism courses — one on identifying, meeting, and listening to communities, the next on presenting information to and helping inform a community;
* two listening courses — the first helping students to interact with and learn from diverse communities, the second about the ethics (and legalities) of working with and serving a community;
* two data courses — about using data as a means to listen to and learn about a community, to gather information with and from a community, to present information to a community, and to measure the impact of working with a community;
* two tools courses — understanding how best to use the many platforms communities use and will use to connect and share, and also learning how to work with technologists to adapt tools to help communities;
* intense business training (a subset of beat-business training we are offering this summer at CUNY — more on that shortly); and
* an intense practicum serving a community of the student’s choice, working to meet goals of the community’s definition.
We will bring in teachers with various skills to work with students — journalists, of course, and also data specialists and community organizers and social anthropologists and more.
If approved, this new degree will be taught alongside CUNY’s MA in journalism and MA and certificate in entrepreneurial journalism. Each will attract distinct cohorts of students seeking a variety of jobs (note that the Center for Investigative Reporting depends on six engagement editors and Al Jazeera’s new AJ Plus is hiring 13 people of that description) or starting their own ventures. We have talked with many leaders in the field and they have convinced us there is a need and demand for this program and its graduates. Each of our degree programs will have a positive impact on the others, bringing new skills and perspectives to the school and adding courses and options for all the students. At CUNY, we pride ourselves on being a startup still, on learning as we go and adapting our curriculum to new needs and opportunities. This new program is also part of that process.
We are operating on what passes — in our field — for a fast track. If we pass all our tests, we hope to offer the new degree in 2015 (we haven’t decided yet exactly when). Between now and then — and here is the reason I am writing this — I would like to hear your suggestions and questions about what and how we should teach. We’ve received very helpful reaction from our school’s board of advisers and other friends. On that trip to the Bay Area, Sarah and I discussed our idea with most everyone we met and met in turn with gratifying enthusiasm.
Indeed, I am honored to tell you that Reid Hoffman — who has given me very useful advice about the entrepreneurial journalism program since its inception — is generously seeding the development of the new degree. And we just learned that the Knight Foundation — the preeminent funder for journalism in America — will match Reid’s gift. Thank you, both.
We will be raising additional money to fund scholarships, research on engagement and impact, and events bringing together researchers and practitioners from various fields to discuss social journalism and engagement under the auspices of the Tow-Knight Center.
Just when I thought things were starting to settle down in our eight-year startup of a journalism school…..
I’ve been working on a long essay that tries to answer the question I often hear in one form or another: “Now that your damned internet has ruined news, what now?” I don’t pretend to make predictions, only to explore opportunities around three ideas: new relationships, not forms, and new business models for news. I’ve posted the opening to the first third of the essay — about relationships — at Medium so I can get your reaction and insight, as that’s what Medium is designed to provide. Please do wander over and leave comments there or here. Thanks. Here are links to three pieces:
Most TV news sucks. But I don’t want to dwell on that.
I’d like to see TV news be reinvented, yet I’m astounded so little innovation is occurring in the medium. That could be because TV news is in better financial shape than print (for now). It could be because in a highly competitive market, no one wants to leave the pack and risk failure trying something new. Still, network TV’s audience is lurching toward the grave; cable news is struggling; and Pew says that for the once-indomitable local TV news, “future demographics do not bode well.” Like newspapers and magazines before them, broadcasters need to change, to take advantage of opportunities to work in new ways, to fend off the digital competitors who are sure to grasp the chance to disrupt, and simply to improve.
TV news is stuck holding onto its orthodoxy of inanity. It wastes resources trying to fool us with stand-ups at sites where news occurred 12 hours before and where there is nothing left to witness or report. It repeats much, saying little. It adores fires that affect few. It goes overboard on weather. It gives us BREAKING NEWS that isn’t breaking at all but is long over, predictable, obvious, or trivial. It gullibly and dutifully flacks for PR events created just for TV. It presents complex issues with false and simplistic balance. It speaks in the voice of plastic people. It stages reality (no that guy in the b-roll isn’t really typing on his laptop). It has little sense of the utility of what it presents. And did I mention its pyromania?
But I don’t want to dwell on that.
I want to dwell on what TV could do well, on its strengths and opportunities. TV can summarize, sometimes too well perhaps, but delivering a quick overview of what’s happening is a useful function of news. It can curate, bringing together divergent reports and viewpoints. It can explain a complex topic and doesn’t have to dumb it down. It can demonstrate. It can convene the public to action. It can collaborate, having witnesses share what they are seeing and what they know. It can discuss and doesn’t have to shout. It can give voice to countless new perspectives now that everyone has a camera on laptop or phone. It can humanize without cynically patronizing or manufacturing a personality.
There are sprouts of innovation in television (folks I know working in video online object to it being called television but I say they should co-opt the word, the medium, and the form). That innovation is generally not coming from other media companies, for newspapers and magazines have made the mistake of aping broadcast TV when they should exploring new directions. And the innovation that is occurring doesn’t take the form of incremental adjustment to the familiar form of TV news. Instead, true innovation is unrecognizable as television. On one end of the spectrum, there’s the six-second self-parody of viral video shallowness that is Vine as news. On the other, there’s the TWiT Network (of which I am a part), where we geeks can yammer on about single topics — Google, security, Android — for devoted if small audiences for two hours.
When Katie Couric announced that she’d be moving to Yahoo and NPR’s Weekend Edition asked me to yammer about it, I took the opportunity to push my own agenda and wish that Couric and Marissa Mayer would reinvent TV news because they’re both smart; Couric knows the form so well she knows what to break; Mayer is a disruptive innovator; and Yahoo needs to be something *new* not merely something changed.
And so then I started asking some folks what they’d suggest. I asked TWiT’s founder, Leo Laporte, and after more than 10 minutes’ discussion on two shows — hey, we have all the time in the world — he said that instead of giving us the news — we already get that — he’d want to see Couric give us rich interviews with newsmakers. I like that. When Katie was on Howard Stern’s show weeks ago, I called in to ask about him having a pure interview show on TV, since he has had a remarkable run of amazing interviews lately. Besides Charlie Rose, who really does that on TV?
I asked Michael Rosenblum about reinventing TV news. He has reinvented his share of newsrooms, converting the old three-person crews to so-called one-man bands, teaching people how to tell stories with video and without the silly conventions of stand-ups, establishing shots, b-roll, and cotton-candy scripts. He told me about returning from the UK, where he taught a few dozen journalists at the Independent and Evening Standard how to gather video news with their iPhones. If they can do it, anybody can.
I asked Shane Smith, founder of Vice, which just announced the start of a new news channel in 2014 (below), and he talked about the net’s ability to bring many new voices into the news.
Vice was smart enough to hire Tim Pool the guy who broadcast Occupy Wall Street live for 21 hours straight. Pool’s not sure what to call himself — a mobile journalist, a social journalist. Take a look at how he covered protests in Turkey, where he was the first journalist so far as he knows to broadcast live using Google Glass — the true eyewitness.
A few weeks ago, Pool came to my class and then sat in my office and so I asked him about the future of TV news. Speculating together — having nothing to do with Vice’s future plans — he didn’t start talking about video. He started talking about people — witnesses and commentators and how to find the best of them and connect them — and about technology and about user interfaces. There I started to hear the beginnings of a new vision for TV and news in which video is just one tool to use.
So how would you reinvent TV news? What advice would you give Katie Couric? What advice would you give the next Tim Pool? At CUNY’s Tow-Knight Center, I’d like to embark on projects to rethink the form of TV news, its relationship with the public, and its business models. What would you like to see us do? Try not to dwell on mocking the form and its weaknesses — Ron Burgundy has done enough of that for a lifetime (plus a sequel). Try instead to imagine you are a young (reincarnated) William Paley with all these tools and all these possibilities at hand. What do you invent? In Part II, I’ll add my own wishes and speculation.
* First, we are opening the new Cuny Journalism Press. Yes, I said press. On paper. And screen. Working with the innovative OR Books and John Oakes, we are creating a press that will produce print books and e-books about journalism and by journalists with new business models (starting with a higher share of revenue to authors). Just as we are working here at CUNY on new business models for newspapers and magazines and other denizens of the printed page, so do we want to see new models come to book publishing. So my dean, Steve Shepard, my colleague Tim Harper — who is heading up the press — and others here thought it would be a great idea to start this enterprise. We’ll be announcing some other related activities with Oakes soon.
* Second, I’m thrilled to announce that the first book to be published is by none other than @acarvin, aka Andy Carvin, the man who tweeted the Arab Spring and showed us all a new way to think of journalism and how it must add value to the flow of information the net now enables. Distant Witness: Social Media, the Arab Spring and a Journalism Revolution, will be released later this year (and available for pre-order soon). I recommend the book to you all. I’ve had the privilege to read it — and write its foreword. A snippet:
Andy is a prototype for a new kind of journalist. He also turns out to be a masterful storyteller. He has taken all he witnessed from afar in the Arab Spring and crafted it into a dramatic, compelling, informative page-turner. He has combed his archive of more than 100,000 tweets and sifted through the rapid-fire, staccato progression of the voices to find a narrative sense and create a cohesive saga….
Yes, we still need reporters on the ground to ask and answer the questions. We need them to bring us perspective and context. Andy does not replace them. He and his nodes and networks of witnesses, participants and experts add to the news in ways not possible before. Journalism is not shrinking. Through Andy’s example, as well as through experiments in data journalism, crowdsourcing, hyperlocal sites and innovations yet to come, journalism is growing. Andy Carvin is proof of that.
* Tim Harper announced another three titles: Fighting for the Press: The Inside Story of the Pentagon Papers, by former New York Times chief counsel James Goodale; Investigative Journalism in America: A History, by Steve Weinberg, a member of the University of Missouri Journalism School faculty and co-founder of IRE, the leading association of investigative reporters and editors; and The Pleasures of Being Out of Step: Nat Hentoff’s Life in Journalism, Jazz and the First Amendment, by CUNY Journalism Professor David L. Lewis, a former Daily News reporter and “60 Minutes” producer and associate producer who is also directing a feature-length documentary on Hentoff.
If I manage to get off my duff and get moving on a project I’ve been working on, I might add to that bookshelf myself.
Just as CUNY saw an opportunity for a new journalism school when others thought journalism was dying, so did we see an opportunity to start a new press about journalism even though others declared books dying. At Tow-Knight, I believe we must not only study and teach new models but we must also help incubate them. The CUNY Journalism Press is one such effort.