Posts about copyright

Learning the true value of content from Aaron Swartz

I must confess that at first I did not understand what the pioneers of rethinking content’s value—Lawrence Lessig, Joi Ito, Cory Doctorow, Aaron Swartz—had to teach me. When Lessig took to the courts—playing the net’s Quixote to battle Hollywood’s imperialistic expansion of copyright—I wondered whether his side was overreaching by implying that all creation is born of what came before.

I was in the content business. I believed in the value of content and authorship and ownership. So I posted a mock copyright notice under the content on my young blog:

It’s mine, I tell you, mine! All mine! You can’t have it because it’s mine! You can read it (please); you can quote it (thanks); but I still own it because it’s mine! I own it and you don’t. Nya-nya-nya. So there. COPYRIGHT 2001… by Jeff Jarvis.

But I soon learned. I placed a Creative Commons license on my blog. I came inevitably to see the wisdom in Lessig’s mission and the value in the tools he and Swartz and their allies created.

But I still thought I was in the content business. Well, I don’t anymore.

That lesson came in good measure from Aaron Swartz’s actions, particularly his freeing the whale from JSTOR’s tank. Even Lessig in his eloquent and powerful lament over the grave of his friend, can’t endorse what Swartz did when he downloaded countless academic articles. Alex Stamos, the expert witness who would have testified at Swartz’ trial, still calls it “inconsiderate.”

I took Swartz’ action not as a protest but instead as an object lesson in the true value of content. We from the content business think our value is encased in our content. That is why we sell it, build walls around it, protect it (and, yes, I will still happily sell you mine). Inside the Gutenberg Parenthesis, that is the only model we have known.

But the net has taught me that content gains value as it travels from person to person, just as it used to, before Gutenberg, when it wasn’t content but was just information.

Google and Facebook have taught me that content’s worth may not be intrinsic but instead may lie in its ability to generate signals about people, build relationships with them, and deliver relevance and value to them. In that, I think, is a new business model for news, one focused on value delivered over value protected, on service over content. For content is merely that which fills something—a page or a minute—while service is that which accomplishes something for someone.

Lessig and company have taught me that content’s value can lie in what it spawns and inspires. Locked away, unseen, unused, not discussed, not linked, it might as well not exist.

David Weinberger has taught me that knowledge confined in a book at a single address on a shelf is limited.

And Aaron Swartz has taught me that content must not be the end game for knowledge. Why does knowledge become an article in a journal—or that which fills a book or a publication—except for people to use it? And only when they use it does content become the tool it should be. Not using knowledge is an offense to it. If it cannot fly free beyond the confines of content, knowledge cannot reach its full value through collaboration, correction, inspiration, and use.

I’m not saying that content wants to be free. I am asking whether knowledge wants to be content.

Defend our net (from Germany, this time)

At long last, Google is standing up to fight the ridiculous ancillary copyright (Leistungschutzrecht) bill heading to law in Germany, a law that would require Google and others — you? — to pay publishers to quote them, to link to them (to benefit them).

On a site called “Defend Your Net,” this video shows a wealth of searches and answers and at the end says (my translation):
“For more than 10 years, anytime you want, you can find what moves you. A planned law will now change that. Do you want that? Take action. Defend your net. Continue to find what you seek.”

Sign the petition to defend our net here.

More information about the bill (in German) says it will hurt the German economy, threaten diversity of information, cause legal uncertainty (for bloggers, too), and cause a setback for innovative media. The paradox, Google says, is that publishers can pull their content off Google search — and lose the many clicks it sends their way — whenever they want.

This is a horrid collusion of two institutions — media and government — threatened by the disruption of technology.
I’ve been shouting about this travesty. I’m glad Google is finally — if tardily — making its voice heard.

Copyright v creditright

I wrote a post on Ev Williams’ and Biz Stone’s new Medium platform about rethinking copyright from a legal right not to be copied to a moral right to be credited: creditright. Please go read it there first. Then please join in the excellent discussion about the topic at Google+. Now I’ll add more points here…

* Content is not king. The assumption that content contains all our value in media leads us to sell it and prevent others from copying it, true — but it also leads to missing opportunities, such as realizing the value in relationships.

* If relationships have value, then creators want to assure connections to people through links and data: “Who read or commented on or shared my idea and what can we do together?”

* Those relationships can be exploited in a few ways: Events (see Togather for authors), direct sales (see — and buy — my Kindle Single, please), contributions (contribute to my entrepreneurial graduate on Kickstarter)…. None of that means riches are assured. In the copyright regime, they certainly weren’t either.

* This notion does not kill advertising support for creation. But it says that revenue should travel with content as it is shared. I’ve been arguing for sometime for the embeddable article, which would go to readers rather than making readers come to it. It would need to carry brand (i.e., credit), revenue (likely advertising), analytics (see data point above), and links. I was getting ready to build a demonstration when Debbie Galant found Repost.US, a cool company whose service does exactly this, carrying an article’s logo and its own ads and analytics with links back to the original (and a Repost.US advert added to pay the bills). I spoke with their CEO and he said that when an article is shared it receives by large measure a new, incremental audience. I have some networks and companies very excited about being able to share their content — that is, find new relationships — this way. I wish that media and entertainment companies would learn to go with the flow of links and make their content embeddable and spreadable now that some have shown how they can still get the benefit of brand, monetization, data, and links.

* When credit is given for ideas, then whole articles (or books) don’t need to be copied or embedded. Just the ideas are. The day after I talked with Repost.US, I went to see my friends at 33Across (where — disclosure — I am a mini/micro/nano investor), which just bought Tynt a company that appends a link to the source when you cut-and-paste content from a web page onto a blog or into an email. This is a way to make credit travel with ideas. When you enable and encourage that to happen, you learn a lot more about your content: what ideas are spread, by whom, where and how. That has value. As I’ve been saying, Facebook and Google know how to exploit those signals. Media — content creators — don’t.

* When copyright changes, the idea of plagiarism changes. As I said in the Medium post, the old sin was not rewriting enough; the new sin is not attributing *and* linking. All newspaper and magazine articles should carry footnotes to their sources. I learned that ethic of linking in blogs and the practice of footnoting in writing Public Parts. There’s every reason that other media should take it up. Readers deserve it. Sources and creators deserve it. The record deserves it.

* When creditright takes over, then fair comment becomes a different beast. No longer do we fight over how much — how long an excerpt – is necessary and fair for comment. Now, the more comment the better. Just credit.

* Under creditright, piracy is also redefined. The crime is not copying and sharing someone’s work, the crime is violating the means that creators provide — a la Creative Commons or Repost.US — for its use. This also infers that creators who do not provide those means — who do not make their content spreadable and embeddable — are just plain fools. That is in essence what is happening with much supposed theft and piracy today: How often do you hear people say they would buy the show or movie or record if they could, but when they can’t, they head to a torrent site? This is not to say that a creator *must* provide the means to make content spreadable. But it does say that once we have the means to take economic advantage of spreadable content, spreading it becomes acceptable, even the norm. Wouldn’t that be smart?

Finally, we need to recall the genesis of patent and copyright regimes: to encourage creation and the open sharing of knowledge. Each is becoming outmoded in its way. Patents are used to lock up even common practices — even the information that is our own genome — so they cannot be used. Copyright is used to prevent sharing and the creation that comes from inspiration of what came before. Creditright address at least the shortcomings of copyright by returning to the original purpose of encouraging creation, helping to support it given current technology and reality, and enabling creation upon creation.

: LATER: Related: How plagiarism helped fuel the American Revolution. Commonplace books as a predecessor to Pinterest.

Shifting the discussion to principles

The good news about the White House’s response to an anti-SOPA petition is that it raised the discussion to the level of principles, arguing against “disrupting the underlying architecture of the Internet.” That is where it needs to be.

The bad news, as Tim O’Reilly eloquently explores, is that the White House makes a gross and unsubstantiated assumption:

Let us be clear—online piracy is a real problem that harms the American economy, and threatens jobs for significant numbers of middle class workers and hurts some of our nation’s most creative and innovative companies and entrepreneurs. It harms everyone from struggling artists to production crews, and from startup social media companies to large movie studios. While we are strongly committed to the vigorous enforcement of intellectual property rights, existing tools are not strong enough to root out the worst online pirates beyond our borders.

O’Reilly responds:

In the entire discussion, I’ve seen no discussion of credible evidence of this economic harm. . . . In my experience at O’Reilly, the losses due to piracy are far outweighed by the benefits of the free flow of information, which makes the world richer, and develops new markets for legitimate content. Most of the people who are downloading unauthorized copies of O’Reilly books would never have paid us for them anyway. . . .

As I wrote in What Would Google Do, novelist Paulo Coelho found that piracy spread his name and reputation and found him new readers in new lands …. so he pirated himself and sold more books. The man has sold more than 100 million.

This part of the discussion — the justification for SOPA and PIPA in whatever form — needs to be based on principles and on facts.

The question of fact is difficult to answer as it is an attempt to prove a negative: How do we know how many copies of a work pirates would have bought if they hadn’t pirated? How do we know how many more people discovered and bought a work because it was pirated? How do we differentiate between shrinking industry sales caused by piracy or by a new abundance of competition?

The matter of principles is this: Where will the White House and government put their priorities: in protecting the interests of a shrinking industry or in protecting the interests of innovation, entrepreneurship, and economic expansion? Will they favor protecting the interests of a closed industry or the freedom of speech?

That is why we must raise this discussion to the level of principles. That is why I wrote Public Parts, to help spark a discussion of principles. These, once more, are the principles of publicness and an open society I propose in the book:

I. We have the right to connect.
If we cannot connect, we cannot speak. That is a new and necessary preamble to our First Amendment. Finland has declared internet access—high-speed at that—as a right of citizens. Whether countries should subsidize and provide access is a separate question. But once access is established, cutting it off should be seen as a violation of human rights. That’s what a 2011 United Nations report said. “It’s now a basic human right to have internet,” [former] Thomson Reuters CEO Tom Glocer told media executives in the Middle East. “Systematic denial of freedom of accessing information will lead to a revolution.”

II. We have the right to speak.
Freedom of speech is our cultural and legal default in the United States. That First Amendment protection should extend not just to information and opinions delivered by text but also to information delivered by applications and data. Yes, there need to be ­limitations—on child pornography online, for example. But beware the unintended consequences of attacking a specific problem with an overly broad response. To fight child porn, Australia proposed mandatory filters to block content—filters that could be used against any content. We cannot manage everything to the worst case, to that which might offend someone, to that which could happen. We must not live by the lowest common denominator of fear and offense and the highest watermark of regulation, diminishing our most precious right of speech in the process.

III. We have the right to assemble and to act.
It is not enough to speak. Our tools of publicness enable us to organize, to gather together—virtually or physically—and to act as a group to demonstrate or to build.

IV. Privacy is an ethic of knowing.
We need protection of privacy. We also need to adapt our norms of privacy to new social tools and behaviors so we can better understand when something is said in confidence, when information should not be used without consent, what the harm is of spreading information, and how to give people more control of their information.

V. Publicness is an ethic of sharing.
The foundation of a more public society is the principle of sharing: recognizing the benefits of generosity, building tools that facilitate it, and protecting the product of it.

VI. Our institutions’ information should be public by default, secret by necessity.
Openness is a better way to govern and a smarter way to do business.

VII. What is public is a public good.
When public information or the public space is diminished, the public loses. Secrecy too often serves the corrupt and tyrannical.

VIII. All bits are created equal.
When anyone gains the power to decide which bits, words, images, or ideas can or cannot pass freely through our network, it is no longer free.

IX. The internet must stay open and distributed.
“Let’s give credit to the people who foresaw the internet, opened it up, designed it so it would not have significant choke points, and made it possible for random people including twenty-four-year-olds in a dorm to enter and create,” says Eric Schmidt.

Most relevant to the discussion of SOPA are the last two. If anyone restricts any bit — whether that is China restricting searches or India restricting what it says is offensive content or the U.S. restricting what someone calls piracy — then no bits can be assured to be free. If the architecture of the net is altered to enable the U.S. government to block alleged pirates, then any government can use that power to block anything.

My response to the White House’s response is to ask what is more important: protectionism for a fading industry or the future of speech?

It’s not all about content and work

In his column complaining about Huffington Post and the new economics of content competition, I think David Carr makes two understandable but fundamentally fallacious assumptions about news and media: that the value in journalism is in content and that making content must be work. Because that’s the way it used to be.

In their op-ed the next day in The New York Times complaining about copyright losing its hardness, Scott Turow, Paul Aiken, and James Shapiro extend the error to entertainment, assuming that content is entertainment and content is what content makers make.

Not necessarily.

Pull back to view the true value of these things: information, knowledge, enlightenment, amusement, experience, engagement. Content can be and has been a vessel to deliver their worth. But it is not the only one. That is the lesson of the internet — indeed, of Huffington Post itself. I have argued that The New York Times, the Washington Post, CNN, the BBC, and other media should have but never would have started the Huffington Post because they, like the gentlemen above, still see content as value in itself and further believe that content is their own franchise (granted by their control of the means of production and distribution). So the benefits of content cannot come from others — bloggers, commenters, citizens, amateurs — as new wine in new casks. They instead want to put their old wine in the new skins (witness The Daily).

That is why old media people are missing new opportunities. It’s not about the content (stupid). It’s about the value.

We can be informed now by many means: by our neighbors telling us what they know, enabled to do so by the net, at a marginal cost of zero, doing so not because it is work (and work must be paid) but because this is what neighbors do for each other. We can be entertained by many means: by clever people making songs and shows and telling stories because they love doing so and because they are compensated in attention rather than royalties (and that attention may well lead to money when they can finally detour around the gauntlet of old media’s closed ways to find audiences on their own).

Why do people write on Huffington Post? Because they can. Because they give a shit. Because they like the attention and conversation. Because they couldn’t before. Why do they sing their songs on YouTube? Same reasons.

Is there still a role for the journalist, the professional, the artist in this? Perhaps. I think so. That’s why I am teaching journalism school. But I’m not necessarily teaching them to make content. That is now only one of many, many ways to meet the goals of adding value to information, time, and society. Some of my entrepreneurial journalism students are, for example, creating businesses that will use data to impart information; they will add value by gathering and analyzing it and making it possible for you to find the intersecting points that matter to you. Other of my students are creating platforms for you to get more value out of your own data. Others are creating platforms for people to connect around interests and make and find their own value. Others are finding new ways to sustain reporting and the making of content. They are all valid if they bring value.

If you concentrate on the value, not the form — content — then the possibilities explode.

Turow et al shut down the idea that opening up information can yield greater value that protecting it. Sharers are…

… abetted by a handful of law professors and other experts who have made careers of fashioning counterintuitive arguments holding that copyright impedes creativity and progress. Their theory is that if we severely weaken copyright protections, innovation will truly flourish. It’s a seductive thought, but it ignores centuries of scientific and technological progress based on the principle that a creative person should have some assurance of being rewarded for his innovative work.

No, I’d say rather that there are more ways to open up value. If Wikipedia were copyrighted by a publisher, it never would have become Wikipedia because it would be owned, not shared. We now have a new means to collect value rather than merely to own content.

I remember at the DLD conference a few years ago when Wikipedia founder Jimmy Wales defended himself from a ninja-knife-wielding Jason Calacanis over paying people to contribute to online resources. Calacanis, like Carr, called it work. Wales instead likened it to a pickup game of basketball. Viewed from a distance, basketball certainly looks like work; they sweat enough. So why don’t we demand that they be paid? Why aren’t we lamenting the loss of a marketplace for their value? Because that’s not where the value is. It’s in the fun.

Granted, what’s done with that fun — how it is exploited — is relevant. If I start charging admission to watch you play basketball — it is great content, after all — or if I put sponsors’ banners on the court — you did draw an audience — you might want a cut. If you can get it — if you can show that there aren’t a million competitors for court time in an open marketplace — great! But what if the gate or the ads merely support my ability to provide free court time to you or free uniforms to your town-team kids? The economics are not necessarily sweat = work = product = pay. Neither is it any longer true that owning the expensive means of production and distribution assures a return on that investment. There are other expressions of value.

The truth is that Huffington Post recognizes the value of professionalism. I’ve lately recalled Arianna Huffington talking with Guardian editor-in-chief Alan Rusbridger in London a few years ago when he — with native irony, in front of his reporters — asked why the hell she was hiring reporters, who are a pain in the ass to manage and expensive to boot. Because their stories get more traffic, she said. They add value. That’s why she has editors and curators. They add value. That’s why she has technologists who make the Huffington Post such a social experience. They enable value.

That’s what I’m teaching my entrepreneurial students: add value. And be efficient: take advantage of the free exchange that is already happening — the free and open platforms and the information that now easily passes on them. Then put your precious resources where you most add value. Do that before you even think of extracting value. There are the new economics of what we used to think of as content.