Moore critics under every rock
: Scott Simon — to me, the caricature of an NPR host and listener, a professional nice guy, a presumed (by association) liberal — slices into Michael Moore and his credibility in the Wall Street Journal:
Trying to track the unproven innuendoes and conspiracies in a Michael Moore film or book is as futile as trying to count the flatulence jokes in one by Adam Sandler….
In the New York Times, Paul Krugman wrote that, “Viewers may come away from Moore’s movie believing some things that probably aren’t true,” and that he “uses association and innuendo to create false impressions.” Try to imagine those phrases on a marquee. But that is his rave review! He lauds “Fahrenheit 9/11” for its “appeal to working-class Americans.” Do we really want to believe that only innuendo, untruths, and conspiracy theories can reach working-class Americans?
Governments of both parties have assuaged Saudi interests for more than 50 years. (I wonder if Mr. Moore grasps how much the jobs of auto workers in Flint depended on cheap oil.) Sound questions about the course, costs, and grounds for the war in Iraq have been raised by voices across the political spectrum.
But when 9/11 Commission Chairman Kean has to take a minute at a press conference, as he did last Thursday, to knock down a proven falsehood like the secret flights of the bin Laden family, you wonder if those who urge people to see Moore’s film are informing or contaminating the debate. I see more McCarthy than Murrow in the work of Michael Moore. No matter how hot a blowtorch burns, it doesn’t shed much light.
Good for you, Mr. Simon.
