The wrong memorial

The wrong memorial
: In tomorrow’s Times’ Arts & Leisure section Michael Kimmelman identifies the right problem and the wrong solution for the World Trade Center memorial.

…now that everyone agrees that the ground zero memorial finalists are a disappointment, there’s only one thing to do.

Throw them all out.

You have the power to do so. Use it. This is in part a memorial to extreme bravery in the face of overwhelming force. Here’s a chance to be brave.

OK, fine. That is becoming the quiet consensus of New York.

But Kimmelman’s solution is all too much of The Times: He argues that the solution is elitism.

He wants to name a bunch of high-reputation architects to take it over.

But it is architects who created this mess.

Architects gave us a mess of a World Trade Center design and set impossible conditions for the memorial.

Architects dominated the jury.

Architects designed the finalists.

Architects speaking to architects, that’s where we are now.

But Kimmelman thinks that the process was just too populist, too banal, too common.

Forget vapid populism. Limit the competition to participants of the jury’s expert choosing. Then let the jury select the best plan, if and when there is one. If that’s elitism, so be it….

The jurors should put together a group of the most serious artists and architects, so many of whom declined to participate in the original omnium gatherum, and see where their specialized talents could lead us.

That would be antipopulist–and perhaps a political fiasco. But it would be the right thing to do.

How very Times.

No, it’s elitism that got us this far.

Don’t judge the process on the results thus far; don’t judge the entrants on those selected; judge the jury.

I don’t necessarily trust this jury to find the right memorial. They certainly haven’t done it so far. And thus I certainly don’t trust them to find elite architects to start over.

Why don’t we first look at the 5,201 submissions; why don’t we judge their heart and soul and vision; why don’t we find an essential idea — instead of the overbaked muddles we ended up with out of this juried process?

A truly wise jury would look at all those submissions and find one essential idea that speaks for this memorial and for the memory and for the future. And if it is not there in those 5,201 heartfelt submissions, then they would seek more ideas and seek more time to make this decision properly.

But this, I fear, is not that jury.

6 responses to “The wrong memorial”

  1. MommaBear Avatar

    One always hopes that ‘the people’ still have a voice, anymore, but, alas, that is no longer true about anything. Just keep yelling, though, as it is good for the people to speak, even if it does no good. It’s all we’ve got left; at least right now.
    If MB feels discouraged about this, it is from frustration about the ‘efete elite’ having co-opted everything.

  2. Mara Avatar

    Here’s the link.
    http://www.nytimes.com/2003/12/07/arts/design/07KIMM.html
    You’re absolutely right – find something in those 5,000+ submissions and go with it.

  3. Royce Avatar

    I hope and pray that, regardless of which bureaucratic hodgepodge committee makes the selection, that we build tall, proud, and defiant.
    The designs considered so far (at least the ones I’ve seen) have been anything but. The mind and soul deadening recipe of calcified liberal elitists trying desperately not to offend will satisfy no one.
    As long as the intellectual undercurrent (rampant in the PBS special on the World Trade Center) of “we asked for it” prevails, I doubt that we will get a design that honors the victims and embodies the essence of the culture that built the twin towers in the first place.
    As a former New Yorker who worked on the 86th floor the south tower in the 1980s, I hope that some day I will be able to enjoy the same glorious perspective I had every weekday those 20 years ago. I did not know then what a privilege it was.
    I do now.

  4. Harry Avatar

    My father-in-law passed away in Oct ’01, and we took him back to the very small town in Oklahoma that my mother-in-law grew up. On the return trip through Oklahoma City, we stopped at the memorial there. It was very powerful, and I was very impressed and could only hope that NYC would learn from their experiences. They too had the architects in charge at the begining, and no one was happy with the proposals. Hopefully, someone will have the same courage that the governor of Oklahoma did and restart the process to get something people like.

  5. br Avatar

    I have to echo Gevriel Rosenfeld’s sentiment in last Sunday’s Post (http://www.washingtonpost.com/wp-dyn/articles/A20187-2003Nov28.html), that the eight proposals they’ve winnowed it down to lack a clear and discernible connection to the horror of the event. No one’s experience of that day, whether direct or peripheral, is as cleanly distilled or concisely articulated as that presented in the each of the eight selected designs. This event was not lived in the abstract and should not be consecrated with such passiveness and experiential detachment. The power of Maya Lin’s Vietnam memorial is not solely attributable to the simplicity of the design, but rather the interaction of parents, widows, and children who give life and form to those names etched on the black granite cenotaph. In a hundred years when there no longer exists an extant and visceral connection will the memorial still carry the same emotional weight, if not for the sheer numerical loss it represents? The barbarity of the Holocaust is made horrifyingly tangible when confronted by the piles of shoes and heaps of human hair. How can we make the atrocity of September 11 corporeal to those who did not witness or suffer the physical and emotional devastation of that day? How to make the unquantifiable quantifiable? Is it possible to translate such monumental human loss into any semblance of understanding to those who did not live it? Who did not choke on the ashes of humanity or inhale the pungent stench of mortality? How do we make others understand what we ourselves do not?

  6. Timothy Avatar

    I’m not a New Yorker, and I’ve only been there once. But, I do have friends there, and I did love the city. And, as an outsider, I can say the memorial I liked best was the pier one that they ended up throwing out. It was genuine, it was somber, and it wasn’t pretentious.