The new role of authors and publishers

Ben Vershbow from the amazing Institute for the Future of the Book responds to some of my recent posts on the future of the tome and suggests I look at the experience they’ve had with GAM3R 7H30RY, an online book where the people are part of the process.

Since the site launched, discussion here at the Institute keeps gravitating back to the shifting role of the author. Integrating the text with the discussion as we’ve done, we’ve orchestrated a new relationship between author and reader, merging their activities within a single organ (like the systole-diastole action of a heart). Both activities are altered. The text, previously undisturbed except by the author’s hand, is suddenly clamorous with other voices, and McKenzie finds himself thrust into the role of moderator, collaborating with the reader on the development of the book….

Eventually, if selections from the comments are integrated in a subsequent version — either directly in the text or in some sort of appending critical section — Ken could find himself performing the role of editor, or curator. A curator of discussion…

Or perhaps that will be our job, the Institute. The shifting role of the editor/publisher.

See also this post quoting the head of Gruner + Jahr on the notion of the journalist becoming a moderator.